




TableTurn
$65.00
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One Small Piece Changes What You Need To Carry To The Gig
Your tabletops work.
Your stands work.
You’ve been setting up the same way for years — maybe decades.
Your old Eureka stand, a Viking tripod, something your mentor handed you — all genuinely reliable. It’s yours. That top uses a 1/2″ threaded flange. It’s the same standard magicians and other performers have relied on for over half a century.
But here’s what nobody has considered over time. Like technology, industries should also shift and change — to grow — to adapt.
The sound and lighting industry moved to 5/8″ threading as early as 1937. The magic industry has remained unchanged for nearly a century. Two sides of the same industry (entertainment), sharing the same stages and same venues. Sadly, both running on two different systems that have never worked with each other.
But why would they work together? Why should they work together?
The switch to 5/8” becomes obvious once you see it.
You’ve been carrying extra gear for years but the venue already has some of what you need — you just forgot.
The other thing that you forgot is people are getting richer off of you by selling you more tables and more stands — instead of fixing the universal problem.
So I fixed both problems for both of us.
I’ve performed on the same stages you do. I also build the gear performers just like you carry onto them. That’s how I saw what everyone else missed.
I created TableTurn™.
TableTurn is a precision-machined adapter that threads directly into your table’s existing ½” thread female flange. One connection and your table — the one you already own, the one you already trust — now mounts on any mic stand on earth.
And not just 5/8″. TableTurn also adapts to 3/8″ and 1/4″ stands. European venue? Covered. Unknown venue? Covered. Any mic stand. Any country. Any mic stand thread in the world — covered.
Want to go back to your old stand? Just unthread the TableTurn. Nothing permanent. You’re back to exactly where you started. Your table. Your decisions. This venue versus that one.
One point eight ounces. Yes. Only 1.8 ounces. That’s all that stands between you ever hauling an extra tripod to a gig — ever again.
Product Specs:
Installation: Threads into your table’s existing ½” thread female flange
Threading: 1/2″ male threading to 5/8″, 3/8″, and 1/4″
Material: Stainless Steel and Aluminum
Product Weight: 1.8 oz
Weight Capacity: Up to 48 lbs
Weight-to-Capacity Ratio: 426:1
Dimensions: 7/8″ x 1-3/8″
Billy’s Pro Tip: Venues typically have mic stands. However, here’s my short list of 5 reasons why you should carry your own…
- You know its condition. No wobble, no stripped threads, no surprise the moment you set up.
You know its height and how fast it adjusts — no fighting an unfamiliar clutch mid-show.
It’s the same stand — every gig. Your setup becomes muscle memory so you can put your attention where it matters most — your audience and your show.
If the venue comes up short — you’re covered instead of scrambling.
My biggest tip of all: don’t ever rely on your wireless alone. Trust me. With decades under my belt, I know this all too well. Every show, I still set up my trusted industry-standard corded mic — the Shure SM58 — on a stand in the wings, just in case my wireless goes out. It saves your show. They have to hear you too. And it frees up your hands to work.
Less than 2 ounces puts your heavy table top and props on any mic stand.
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