GigTop Traveler
$150.00
You’re prepping your next event. Show gear, wardrobe, everything for traveling light — but no room left for a performance table. What if that problem disappeared? What if twenty-one ounces and a sliver of space was all it took to lose the chaos and keep you looking like a pro? The GigTop™ Traveler and a venue mic stand — that’s all you need.
- Description
- Reviews (2)
Your Table Lives at Their Venue
You know the moment.
You’re standing over the luggage doing math in your head.
Show gear, clothes, everything that keeps you moving between cities and stages — and all of it has to fit in there.
You know that flights have space limits. Cruise ships have weight limits. Your vehicle has limited room.
You’re not new to this. You’ve done this a hundred times.
You already know what’s going to make the cut and what has to stay behind — again.
The show should always win — but it doesn’t.
So you pack the props you can. You pack your wardrobe. You pack all the things that keep you functional for life on the road.
And once again, you are left figuring the rest out once you get there.
Love the Gig — Dread Getting There
And that’s the thing about this career — the travel isn’t going away.
Your audience thinks this is the glamorous side of what you do. But you know differently — you’re forced to live it.
It’s the painful part of your job that you feel the most. Cruise ships. Fly-in corporate dates. Airports, rental cars, public transit with your gear on your shoulder.
You love what you do when you get there… but getting there is the struggle you feel every time you start out.
The airlines don’t care about your show. The cruise line only cares that you are equipped with a world-class show. The subway doesn’t have a luggage compartment designed for performers. Every mode of travel between you and the next venue has rules — and none of those rules were written with you in mind.
That’s the real enemy. Not bad gear. Not bad planning.
The travel itself.
The weight limits, the space restrictions, the hard math of fitting a professional performance inside luggage built for vacation clothes and backpacks.
You already accepted the aggravation of travel a long time ago. You adapted. You figured out workarounds. You left things behind, made do with less gear, showed up and rigged things on site.
The Compromise You Stopped Questioning
The travel isn’t the problem you fix. It’s the problem you live with.
And the lack of a good table setup became part of your acceptance process years ago.
You gave up on expecting to have a proper setup. You simply stopped trying to fix a ‘life on the road’ problem. Somewhere after 62 airports and 149 Ubers you decided — this must just be how everyone else does it.
Your props travel with you because the props are part of the show.
But the table surface you have to work off of while on stage?
That became negotiable.
And you know the cost because you’ve stood on stages behind makeshift garbage, pretending to look like a pro.
You feel the difference between performing versus making do every single time.
Nobody in the audience said a word. The booker noticed but said nothing.
Here’s the thing… you noticed.
You know you deserve better conditions. Your show deserves better. Your audience and buyer deserve better. Better than whatever that table rig is that your show is currently sitting on.
But you perform anyway — because that’s what you resigned to do. It’s your ‘good enough’.
But “good enough” has a weight to it (and not just the weight of your luggage).
In your head. Every time you set up on something that doesn’t match the show you built, you carry that compromise into the performance with you. You know the inner voice in your head, “will it work this time”?
You shouldn’t have to choose between travel fiasco or looking like you don’t belong on that stage.
He Said Fix This — So I Did
This is exactly why GigTop™ Traveler exists.
Not because I had a table problem — because a performer I respect came to me with one. Cody Fisher has performed on cruise ships, corporate stages, and theaters that rival Broadway. He’d been through the same evolution you have. Full table setups that ate an entire bag. Stands that packed smaller but still weighed too much, still needed a tripod base, still looked like laptop furniture under a world-class show.
He came to me and said fix this.
So I did what I do. I engineered it. I stress-tested it. I made a real-world product for real-world performers. I sent it out on the open seas with him. Listened to what worked and what didn’t. Rebuilt it again. After several prototypes and real road testing — not in a shop, but on actual stages — the GigTop Traveler… it surpassed Cody’s expectations.
Twenty-one ounces. Packs to one inch thick. Fits inside your backpack next to everything else — not instead of it.
Cody calls it, “the last tabletop I’ll ever use”. That’s not a tagline. That’s a working pro’s verdict from a performer who’s tried years of everything else.
Three Words Change Everything
Picture what your life feels like when traveling is easier.
Same luggage. Same cities. Same travel. But this time, it’s different. It’s all in how easily you pack.
You reach for your GigTop and it slides in next to your props, your wardrobe, your chargers — nothing gets left behind. Not this time. Your table is so compact and light that you almost forget it’s packed.
You get to the venue. They ask what you need.
“A microphone stand.”
That’s your request. Three words — a microphone stand.
The stand is already there — it’s always there. Every theater, every ship, every corporate stage, every church. They all have microphone stands.
You finally see something that has always existed. And now it becomes part of your show at no extra effort or cost.
You unpack your GigTop. Two panels fold up and it becomes an all-in-one shelf underneath — white interior, so you can see your props even in dim stage lighting. You thread it onto the house mic stand. Seconds. Your cards, your ropes, place what you need inside. Everything you need — organized, accessible, invisible to the audience.
Billy’s Pro Tip #1:
Here’s something else about GigTop that many performers seem to overlook.
You don’t always need a mic stand. That can vary by what your gig demands of you.
Carry it to any table — restaurant, banquet, cocktail event — and set it down. No stand. No mount. No hardware. Just your GigTop setup on their table, ready to perform.
And here’s what fifty years of performing taught me about audience control. The moment you place your own surface on someone else’s table, you draw a line. Their space stays theirs. Your space becomes yours. Controlled by you. You’re no longer a performer borrowing their dinner table to do tricks — you’re a professional who walked in with an invisible psychological barrier — ready to perform.
That boundary changes everything. How they watch you. How they respect the performance. How you carry yourself. Props underneath, organized and out of sight. Pick it up, walk to the next table, set your stage again in seconds. Then attach it to the mic stand for the banquet portion of the show.
These are the extra details that take hundreds of shows across decades of performances — to pass along to you.
What I Know About You — Even if We've Never Met
You built the show. Every area of it rehearsed. Every beat refined. Everything earned through performing in rooms that don’t forgive amateur hour performance.
And then you disconnect at the crucial part. You somehow believe it’s okay to skimp out or allow travel to determine the setup for a working pro.
I’m just going to tell you because most people in my industry won’t. You stand behind makeshift garbage that can ruin your show — even your career.
And here’s what I know, even if we have never met. You feel the contradiction in your chest.
Your skill and your show say pro while your setup says “this is half-ass”.
And those two things fight your thoughts every single time.
You polished the show. You didn’t polish what they deserve. What you deserve.
Not fixing this disconnect is what stays broken. Not one night. Every single time you let travel dictate your outcome.
Everything Fits — Including You
But what’s really stopping you from fixing it? You already know the facts.
What if the next time you stood over that luggage, the math was different? Not because you got better at cutting the show — but because it no longer needs cut. Everything fits. Your gear. Your wardrobe. Your life on the road. And a table that weighs less than your airport coffee.
Now you walk into the venue, and every time, the setup matches you and your show. No contradiction. No disconnect. What the audience sees is the same level of professional they see in your performance. Every detail of the performance polished — including the one you used to neglect.
The venue didn’t bat an eye when you asked for a mic stand. They handed you something they had right there. You turned it into your solid working table in less than 15 seconds.
You stopped letting travel dictate your outcome. You stopped disconnecting the crucial parts of your show. You made one decision — one — and the thing that used to fight your energy and packing time… just ended.
You finally win.
Product Specs
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Total weight: 21 ounces (tray: 13 ounces, convertible case: 8 ounces)
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Size: 15½” x 11¾” x 1″ packed
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Prop shelf height: 3½” enclosed storage with white interior for stage visibility
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Holds up to 48 pounds
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Surface: non-slip velvet flocking and carpet felt
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Compatible with any standard mic stand (5/8″), camera tripod, or lighting tripod
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Includes 3/8″ and 1/4″ flange adapters for European and alternate stand threading
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Hook & loop strap to cinch tight for travel
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Fits in a standard backpack, laptop bag, or carry-on
Billy’s Pro Tip #2:
Not all mic stands are alike. We’ve tested nearly every type.
Standard tripod stands work with no issues. Heavy cast iron base stands work the best. Theatres — especially cruise ships — often use trigger-grip height adjustment stands. Cody and I worked out the slip hole opening size to accommodate those, without sacrificing interior shelf space. Battle-tested in the wild. And if they hand you a boom arm stand — take the arm off or lower and rotate it 90 degrees vertical. Done.
Whatever they hand you, the GigTop Traveler handles it.
GigTop™ Traveler — let their mic stand do all the heavy lifting.
2 reviews for GigTop Traveler
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Robert Pellissier (verified owner) –
While I haven’t been able to use this yet, I’m am stoked to put this to work soon! I’ve got some great ideas for these tables! Thank you Billy!
Curt Harpold (verified owner) –
These arrived today. They go beyond my expectations (as does your customer service).
I’ve already set one up in my practice room, and I am trying it out with my Cups and Balls routine.